[The Resource Directory]

Packaging Your Multimedia Product: Where are the Resources?

Debbie Galante Block

EMedia Professional, April 1997
Copyright © Online Inc.

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Introduction

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For whatever reason, there are no general directories of packagers and there are no guides on how best to design multimedia packages so that they will leap off the shelves and into the buyer's hands.
Sometimes the best information you can get is that there isn't much information to be had at all. Packaging is a good example: for whatever reason, there are no general directories of packagers and there are no guides on how best to design multimedia packages so that they will leap off the shelves and into the buyer's hands. In a world where "do it yourself" usually means savings, CD-ROM developers and publishers trying to invest more capital in their multimedia content may think about designing or even manufacturing their own packaging. A good idea perhaps, but not as easy as it may sound.

Although CD-ROM packaging alternatives are abundant, it is difficult to know exactly what type of packaging will contribute to sales of your product. Everything from simple envelopes and jewel cases to four-paneled full-color boxes are options for multimedia products. In fact, CD-ROM publishers are encouraged by marketing professionals to find an innovative way to package their materials. Unlike the music industry where there are many forms of advertising--everything from radio to television to T-shirts--CD-ROM titles largely rely on their boxes for promotion. But "the bigger the better" or even "the flashier the better" doesn't always work for multimedia production.

If you are a relatively new developer, no proven track record exists on which retailers can base the potential sales of your products. If retailers know nothing about you, and your box is too big, the retailers may not agree to shelve your product. With over 14,000 consumer CD-ROM titles in print--according to most current industry analyst estimates--less than one third of those titles actually get meaningful distribution. It makes sense, then, to attempt to accommodate the retailer by offering something that is reasonable and classy. That's all well and good, but who will help a developer design an appropriate package? And who has the knowledge that will help a budding multimedia developer figure out what packaging is best.

Although there are companies that do packaging design, many of those designers have dealt exclusively with the music industry, and not with multimedia titles. Even so, the music and CD-ROM industries have begun to converge as more recording artists release Enhanced CDs. Because of this convergence, resources that have been used for guidance in the music industry make sense to explore, largely because there aren't any resources that deal directly with packaging style for multimedia. A book such as Compact Disc Packaging & Graphics 2 or Rock Art can provide a developer with a bit of graphical direction. Both books can be found in most any library and many bookstores, but are not so much directories as presentations of award-winning music packaging and promotion programs. There are other books that cover the music industry's album art, many of which can be found in local libraries.

The other avenues to explore include the slew of electronic media directories, such as the Interactive Sourcebook, TFPL's Multimedia Directory, or The Directory of Interactive Marketing. Most new media directories list graphic designers or companies who specialize in particular stages of multimedia production, such as authoring or replication. But the electronic media industry's directories don't list packagers directly. And there are no "how to" books on the subject, so searching for information on how to package your product--or how much it will cost--can be very difficult. The best way to find out information about packaging is to explore a variety of channels, such as related magazines, books, conferences, and even replicators.

Replicators are frequently listed in the industry directories--and they will generally handle a multimedia designer's packaging needs--but replicators can be biased in the packaging information they offer. They may have an automated packaging system set up already, which could limit the kind of packaging types they offer. Or they may have a contract set up with a particular packager, and as a result might not want to offer the hexagonal box style you're looking for. Despite a replicator's potential bias, however, many replicators will work with a customer on personalizing packaging. Many replicators have their own Web sites, so searching the Internet--using engines like Infoseek (http://www.infoseek.com[LiveLink]), AltaVista (http://www.altavista.com[LiveLink]), Lycos (http://www.lycos.com[LiveLink]), or Yahoo (http://www.yahoo.com[LiveLink])--is a good idea. Reading electronic media magazine classifieds--such as those found in the back of EMedia Professional--might be your best bet for finding help with your packaging needs. All the same, choosing to explore a variety of sources listed here is the best way to get in touch with the packagers that will be able to help you design a marketable box.

THE MAGAZINES

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There is no magazine that specifically deals with CD-ROM packaging, although many of the magazines listed here publish special features on packaging or related subjects and have plenty of packaging advertisements. From time to time some of the plastics industry journals--such as Plastics News and Plastics Technology--may do a news story on the latest in multimedia packaging, but these journals mostly focus on other types of containers, so aren't good sources to explore regularly.

Your best bet for finding packaging information--especially if you are new to the business of multimedia--will be the electronic media industry journals and the related trade press.

Billboard

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5055 Wilshire Boulevard, Los Angeles, CA 90036; 213/525-2304; Fax 213/525-2394; http://www.billboard-online.com[LiveLink].

While music fans turn monthly to Rolling Stone and Spin for industry news and interviews, the music business professional turns weekly to Billboard, a trade periodical that offers articles on music industry trends and provides weekly chart listings not only for the music business, but for the home video market as well. You will find graphic artists and replication facilities listed in the back advertising pages of Billboard. Billboard published a good resource article called "The Packaging of Multimedia" in the May 18, 1996 issue.

The International Tape/Disc Directory, published by Billboard, answers the question of who duplicates and replicates product, manufactures jewel boxes, prints labels, and manufactures machinery. Published annually, the price is $55. Also of note, Tape/Disc's The Blue Book is a directory of suppliers and servicers for duplicators of magnetic and optical media. Packaging, printing, and supply companies are listed in this annual directory that is free to Tape/Disc subscribers.

EMedia Professional

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649 Massachusetts Avenue, Suite 4, Cambridge, MA 02138; 617/492-0268; Fax 617/492-3159.

Emedia Professional covers the tools and technologies that professionals use to publish, archive, distribute, and network digital content. The magazine is for producers and business users of CD-ROM, CD-Recordable, DVD, CD-ROM/ online hybrid, and Internet-based electronic media applications and products. EMedia Professional's ad showcase in the back of the magazine is full of replicators, multimedia graphic designers, and other manufacturers. The magazine has published extensive articles on the topic of multimedia packaging, including "CD-ROM Packaging Present and Future: The Drive Toward Automation and Alternative Casing" in the October 1996 issue (Volume 9, Number 10), and covers packaging developments in the news department's section "Mastering, Replicating, & Packaging" each month.

Replication News

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Miller Freeman, 2 Park Avenue, South, New York, NY, 10016; 212/213-3444; Fax 212/213-3484.

Replication News is a biweekly publication which lives up to its banner description: the replication industry's information resource. The table of contents is neatly divided into feature sections containing technology news, audio news, mastering news, video news, and multimedia news. Replication News tends to focus on industry topics without getting too technical. Replication News does cover packaging, and frequently announces new packaging products and services in news blurbs and full-length articles. Replication News is one of the best places to find packagers advertising their wares. Recent articles on packaging include "The Case for DVD: Packaging Plans Unwrapped" from the December 1996 issue (Volume 1, Number 7).

Tape/Disc Business

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Knowledge Industry Publications, Inc., 701 Westchester Avenue, Suite 1 White Plains, NY 10604; 800/800-5474; Fax/914-328-9093; http://www.KIPNET.com[LiveLink].

Tape/Disc Business is a news magazine for media manufacturers. It covers technical, marketing, and business issues, and provides market data and reports on new products. Each issue offers coverage of optical disc replication and computer media duplication, plus a news section focusing on the latest information from the U.S. and around the world. Tape/Disc Business is the official publication and sponsor of the REPLItech conference. The May/June issues each year are devoted to new products. In addition to special issues, there are frequent features that spotlight CD-ROM packagers. Full-length articles have included "Packaging Gets Ready for the Next Disc Round," "Packaging Designers Concentrate on Alternatives," and "Software Industry Guidelines for Jewel Cases and Alternatives," all of which were published in the July 1996 issue.

CONFERENCES

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Trade shows are always a great place to meet packaging people, many of whom attend to look for clients. Many packagers have booths set up, and often they are on industry panels talking about the latest issues in packaging economy or packaging standards. Directories given out at the shows can also prove to be invaluable resources. Of course industry conferences also provide opportunities to meet peers and question them on their packaging choices.

Industry conferences do have their costs. They can be exhausting, expensive, and, well, unpredictable. The good news about the price of admission tickets is that conference attendees are likely to be offered exciting glimpses into the future of developing packaging technologies, and will have the opportunity to meet the industry standard-setting vendors who might not be offering anything new, but who still provide packaging solutions with enduring value.

Computer Game Developers' Conference (CGDC), San Francisco, California

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Miller Freeman, Inc., 600 Harrison Street, San Francisco, CA 94107; 415/905-2784; Fax 415/905-2222.

The Computer Game Developers' Conference (CGDC) brings together producers, writers, product managers, artists, designers, musicians, directors, and programmers to talk about trends, to locate talent, to voice opinions, and to gain insight into all aspects of getting products to market. The CGDC offers more than 120 seminars on business and legal issues, game design, product development, visual and audio arts, technical development, and network and online strategies.

Electronic Entertainment Expo (E3)

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Electronic Entertainment Expo, P.O. Box 4010, Dedham, MA 02027; 617/551-9800; Fax 617/440-0359.

Although this show is really about interactive content, many of the exhibitors and attendees are packagers. Marketing is also discussed at some of the sessions. Thus packaging information is not tough to come by. The show is thought to be a tremendous resource for developers. The 1997 conference is being sponsored by the Interactive Digital Software Association, IDG Expositions, West and MHA Event Management, and will be held in June 1997 in Atlanta, Georgia.

Pack Expo West

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Packaging Machinery Manufacturers Institute, 4350 North Fairfax Drive, Suite 600, Arlington, VA 22203; 703/243-8555; Fax 703/243-8556; http://www.packexpo.com[LiveLink].

Pack Expo West focuses on the latest developments in all kinds of packaging technology (including CDs) and showcases exhibitors' advances in packaging machinery, materials, containers, and components. Pack Expo West is held biannually on odd-numbered years. The next show will be October 13 to 16, 1997 in Las Vegas, Nevada.

Replitech International

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Knowledge Industry Publications, Inc., 701 Westchester Avenue, White Plains, NY 10604; 914/328-9157; Fax 914/328-2020.

Replitech International, held in June of every year in California, covers DVD, recycling, piracy, electronic distribution, duplication, and replication. Now in its sixth year, Replitech International provides a venue for a large international gathering of people from the replication and duplication industries. Over 6,000 people attended in 1996. Prices for the three-day conference in 1996 were $495 for members and $595 for non-members. Replitech International will also be held in Singapore in October 1997.

ASSOCIATIONS

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There are countless special interest groups, computer societies, and media centers, but there are only about 40 major multimedia and new media associations which have produced names for themselves and have large member bodies. Even so, it is impossible to provide an absolutely comprehensive list, and membership in all electronic media associations wouldn't be beneficial anyway for finding information about packaging.

Most of the electronic media associations are a good source for getting general information about packaging, although no association publishes a directory or offers access to packaging guides. But getting member lists can lead you to possible packaging sources, and speaking to different member bodies can help developers come in contact with some of the vendors that have helped produce the standards that rule the packaging world.

The International Recording Media Association (ITA)

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182 Nassau Street, Suite 204, Princeton, NJ, 08542-7005; 609/279-1700.

The International Recording Media Association is a co-sponsor of REPLItech, and also holds several industry meetings through the year on many industry-related topics. The ITA serves as a forum for the exchange of management-oriented information on global trends and technologies that drive magnetic and optical recording media.

Interactive Multimedia Association (IMA)

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48 Maryland Avenue, Suite 202, Annapolis, MD 21401; 410/626-1380; Fax 410/263-0590; http://www.ima.org[LiveLink]

The Interactive Multimedia Association (IMA) is an international trade association representing the full range of multimedia industry players: application developers, hardware and software companies, system integrators, publishers, distributors, educators, and users. IMA serves as a forum for the open exchange of views, opinions, and technical proposals within the multimedia community, and also works towards patent policy and procedure reform.

Interactive Digital Software Association (IDSA)

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919 18th Street, Suite 210, Washington, DC 20006; 202/833-4372; Fax 202/833-4431; idsa@aol.com.

The Interactive Digital Software Association (IDSA) claims to be the first organization formed solely to meet the needs of the interactive entertainment industry. It was formed in 1994 to represent interactive entertainment publishers of all sizes and for all platforms. The IDSA has established an independent rating system for interactive software, distributes marketing statistics and other industry information, has established an anti-piracy program, and owns the E3 trade show. The IDSA also represents the industry on federal and state regulatory issues.

Software Publishers Association

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1730 M Street NW, Suite 700, Washington, DC 20036-4510; 202/452-1600; Fax 202/223-8756; http://www.spa.org[LiveLink].

While many of us associate the SPA mainly with their very successful program of anti-piracy activism, the SPA offers the industry much more. Among the many benefits of SPA membership are market research and industry sales information, market-specific support and more than 40 free and discounted member publications on marketing, interactive multimedia, public relations, and international and software production services. SPA is also heavily involved in Capitol Hill lobbying efforts concerning crucial industry issues such as competitiveness, game ratings, cryptography, educational technology, and international intellectual property protection. The Software Publishers Association is also the principal international trade association representing more than 85 percent of the U.S. packaged software industry. The association does offer a guide--called The Software Publishers Handbook--on software production that includes coverage of packaging and offers a directory for locating marketing, packaging, and public relations services. The cost of The Software Publishers Handbook is $199.

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Debbie Galante Block is a Mahopac, New York-based freelance writer for the optical industry and a frequent contributor to EMedia Professional.

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